Disability Debrief Annual Report 2025 - 2026

A digital illustration of Peter falling into a light-blue magical time portal showing transition from 2025 to 2026. Peter is a white man with a scared expression. Behind him the portal pulls in other objects, including his electric wheelchair, a bipap machine, a hearing aid, a golden scale, a globe, a bouquet of flowers, a treasure chest filled with flying gold coins, a monitor, an airplane, and a vacuum with Trump's haircut.
Tumbling in Time, by Kinanty Andini

Weathering the storm

In an increasingly challenging context, the Debrief reported exclusively on disability in a changing world and served as a hub for a community reeling from cuts and backlash.

This period saw severe funding cuts across international disability work, and a newly-hostile context given the US-led backlash against diversity issues. And a challenging news and media environment saw increased news avoidance.

Despite this context, the Debrief continued to grow the audience for its work, secure more investment in disability media, and produce wider-ranging content from around the world.

And the Debrief did this on an annual budget of £106,659.

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Contents

Overview

Colourful disco illustration of a white woman dancing with friends on a patterned floor. She has short brown hear, wears a silver shirt and flared jeans and is surrounded by four friends in a ring, holding hands. Just off the dancefloor, her child self is sitting, starting in awe. In the background, objects hang on the bunting: a disability pride flag, a pink pony, a mobility scooter, a "please offer me a seat" badge and a 365 party girl bauble. A giant lesbian flag themed disco ball sparkles above them!
La Danse, by Sonaksha
  • Over four thousand people now receive the weekly newsletter. Newsletter subscribers grew 14%, to 4,306, from 3,762.
  • Tens of thousands of people visit the website each year. There were 30,100 unique visits, a decrease from the previous year of 4%, from 31,300.
  • The audience is loyal and highly committed. 10% of subscribers contributing financially, as individuals or through their organisations.
  • More resources were secured for making disability media. Revenue increased 17% to £106,659 from £91,395 the previous year.
  • The Debrief increased its investment in unique writing and art. Sixteen authors were published from twelve countries, and a total of £15,174 was spent on commissioning work, a 23% increase from last year.

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What readers said

The Debrief is followed and trusted by leading figures working on disability. Here's what they said:

“A pleasure to read.”
Alice Wong, Disability Visibility Project

“Unique and essential.”
Hervé Bernard, Humanity & Inclusion

“I strongly recommend signing up to the Disability Debrief. It has lots of different perspectives and there's something to learn from every edition.”
Stephen Thompson, Institute of Development Studies 

“Your newsletter has enabled us to keep up to date on disability world news, but also learn more about lived experiences and connect with organizations of persons with disabilities who could become potential partners.”
Nathaly Guzmán Figueroa, United Nations Population Fund (UNFPA)

 “It’s rare that a media project aimed at policy is as endlessly readable as Peter’s.”
John Loeppky, writing at Disabled Journalists Association

“Disability Debrief offers thoughtful, global reporting on disability, policy, and power [...] Reading that kind of work makes my accessibility practice stronger and, honestly, makes my understanding of the world better too.”
Anna E. Cook, product design leader

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Content 

A color pencil illustration of two women with albinism, one inside a bus and the other outside, each holding their palm to the bus window. It is set in a Nigerian street scene with hawkers and yellow taxis everywhere. Inside the bus the young lady wears a purple t-shirt with black glasses. Outside the bus's cracked window is another young lady with albinism looking severely sun-burnt. In the background a male hawker leans forward towards them in a confrontational manner.
“Come and see your sister”, by Athenkosi Kwinana

The Debrief published exclusive reporting on disability in a changing world. This year it frequently covered the changes in the US, and provided a global context for the political, economic and climate changes transforming the world. For example:

The Debrief published unique stories and narratives to explore stories of disabled people in new ways. In a recent survey, readers highlighted the Debrief’s strength of its wide variety of topics and perspectives. These included:

The Debrief provides one of the only spaces for dedicated reflection and hard conversations in the disability sector. We covered key moments in global disability work, including the Global Disability Summit, limitations of UN work on disability, and obituary of Alice Wong.

It hosted reflections and analysis from leading voices in the movement, including:

The Debrief’s place in holding (and being trusted to hold) hard conversations in the disability sector is reflected in the Zero Project inviting me (Peter) onto the main stage to bring a critical view on awards in the disability sector. 

As well as these features, the Debrief continued its (also unique) curation of international disability news. The monthly curated news updates feed into the Library, which now contains over 7,300 from 172 countries.

The visual component of the Debrief was consistently established. Every edition either had a commissioned-illustration or a press photograph. The majority of illustrations were made by Kinanty Andini in Indonesia, and artists from India, South Africa and the United States were also published.

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Audience

A digital illustration showing an event space with a panel and diverse figures in front of it. Outside the wall of the event are protesters and the image has a large crack as if in glass. Inside the venue the panel speakers are formal, one using a wheelchair. The venue floor is filled with guests, walking, talking, using wheelchairs, with service dogs, some in distress. They are of different races and where different color clothing, some wearing hijabs. One looks a little like Peter in a dark blue suit. Refreshments tables, screens and plants decorate the venue, and one table has spilled over.
Global Disability Summit 2025, by Kinanty Andini

The Debrief continued as a weekly newsletter, publishing 44 newsletters in the period. 16 were written by authors other than me, who came from 12 countries. (An increase on 14 authors from 9 countries in the previous year).

The newsletter audience continues to grow, but growth is slowing. The growth of 14% was a slow-down on the previous year's growth of 36%.

Key sources of web-traffic decreased. Direct visits (people going directly to the link) are the main source of Debrief visitors online, and these increased by 36%. However the next three main sources all decreased: Google, down 19%, the newsletter itself, down 50%, and Linkedin, down 15%. (Despite a larger audience on Linkedin in this period.)

Wider trends show the same shifts in audience behaviour. Reuters Institute reports on record news avoidance. AI summaries limit visits from Google, and social media visitors are dropping for many platforms (a trend of some years). A couple of other disability newsletter writers report the same trends of growth plateauing.

A reader survey also demonstrates a shift in reader behaviour too. One of the telling results of the Debrief survey this year was that it had much fewer respondents than the survey in 2024: 40 people, compared to 132. This might be because many felt they had already shared in the previous survey, or I advertised it less prominently. But I get the cumulative sense of reader forms of engagement shifting.

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Behind-the-scenes

A photo of Peter, lying on his back in bed and using his laptop, which is propped on a pillow against his folded knees. Peter is a white man with dark hair, beard, and glasses, smiling at the camera while his phone rests on the bed beside him. He is wearing a grey-green jumper, dark blue jeans, and his neat bedsheets and pillows are blue and beige. In the background of the photo, a framed illustration sits on a dark wood bedside table, and to its right, we can see the bottom of a bright white window frame.
Peter, photographer by Damien Demolder.

The Debrief had its first open call for writing. It received over 70 submissions coming from Kashmir to Peru. It published six of these entries and is currently working with two of those winners on further articles.

I recently did a stock-take on use of AI in Debrief work. Articles and illustrations are made without AI. However we do use it behind the scenes (especially in translation and some other operations work). And it’s complicated to navigate this with potential contributors, not all of whom appear to be transparent. 

The Debrief invests in the wider eco-system of disability media. As well as spotlighting work and facilitating exchange, the Debrief invested £1,943 (2% of its income) into other writers, through micro-grants and subscriptions.

One of the recipients of a micro-grant from the past two years is Tanmoy Goswami from India, who said:

“The biggest gift that the Debrief has given me is the feeling of community and solidarity. I have been writing Sanity for 5 years now, and it can get really lonely. Having the Debrief in my corner makes me feel seen. It inspires me to stay true to my values as a creator.”

We continue to adjust the website, and with that, address accessibility issues. I was able to get further specialist help in a mini access audit, address a range of the limitations, and update the accessibility statement.

Some of the web accessibility issues are due to the underlying software. The Debrief uses Ghost, an open source publishing software and host. Our developer has started to make code contributions to Ghost so all sites using it can benefit from the fixes. (Sadly there does not seem to be a big appetite for this from Ghost, so in some areas we just did workarounds for the Debrief site). 

I (Peter) am at the centre of this, but there is a growing set of collaborations. As well as collaborating with writers and illustrators, Celestine Fraser is providing more intense support (currently a couple of days a month). Cathy Sarisky helps adjust the web-theme, and Sarah Fossheim has helped review web accessibility issues.

I run the Debrief as a freelancer in the UK. I am registered as a sole-trader. Currently this is the most efficient model for a project of this size, where the largest expense is still my time.

Fiscal sponsorship is provided by Center for Inclusive Policy in the United States. Thanks to CIP we can receive grants from the larger funders and charitable donations from US readers.

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